Your own lead and backing singers, 24/7,
and no session fees.
With Vocaloid MIRIAM, you will have your own virtual version of Miriam Stockley's superb
voice at your disposal in your own studio! You will find that creating your own
professional sounding backing vocals is quick and easy - even for complex harmonies and
arrangements. And as you develop your Vocaloid editing skills, you will find that even
lead vocal lines become a reality, thanks to the arsenal of expression tools provided,
which permit manipulation of the finest nuances. Make no mistake, we are talking about
MIRIAM being capable of taking the role of lead singer on a hit record.IMAGINE what all this means for your music!!
Now you can COMMUNICATE emotion so directly. You can add HUMANITY to ANY production in ANY
style without needing a human. You can CONTROL and PERFORM your OWN private virtual
professional soul vocalist. You can even scat. You can create awesome backing vocals in
harmonies for your tracks - in minutes. You can create stunning realism. OR... you can
live in the exciting world between human and machine, where MIRIAM can even easily perform
like a superhuman virtuoso android - as a true hybrid of human voice and synthesizer. The
potential for innovation here is limited only by your own imagination.
What will YOU get MIRIAM to sing?
Do you simply want to hear your lyrical ideas performed as an aid to your songwriting
process? Or will you use MIRIAM's freedom from human limitations to create stunningly
innovative and experimental vocal effects? MIRIAM can sing over a superb pitch range, and
can sing much faster than a human could - as fast as you like in fact. And MIRIAM can jump
any interval yet hit every note beautifully, IF that's want YOU want. And this particular
singer will NEVER tire or complain.
In addition to singing any words or combination of
syllables you can imagine, MIRIAM will spread any sustained vowel (or voiced consonant)
across as many notes as you like, with perfect legato. You can select from several
different natural vibrato types and drag and drop your chosen type to any note or notes,
and control the time-position and amount of the vibrato for superb expressiveness and
realism.
And that's just the beginning! - you have control
over all of the following parameters, which you can bring to bear on any part of your
creation:
- Changing syllables/phonemes (e.g. enter
"liddle" instead of "little" etc).
- Timing of each note (precise position/length).
- Vibrato (you can change its type/position/amount/frequency).
- Volume.
- Attack.
- Crescendo or diminuendo.
- Pitch bend (amount, and positionable in time).
- Glide (portamento).
- Resonance (Frequency/bandwidth/amplitude).
- Harmonics.
- Noise.
- Brightness.
- Clearness.
- Gender factor.
- And of course, you can even change the singer (if you have purchased and installed more
than one virtual singer) - perhaps get LEON or LOLA to sing your creation instead of MIRIAM. Instantly.
How Does It Work? Why does MIRIAM sound so real?
Few events have dramatically diverted the course of musical history. Synthesis, MIDI,
Sampling - inventions of this magnitude are very rare events indeed. Singing Synthesis is
such an event. Most acoustic instruments can be simulated well using various synthesis
techniques, but (until Yamaha's Vocaloid techology came along) the singing voice resisted
any serious simulation attempts. Hardly surprising, since singing has an extremely wide
range of articulations, timbres, and transitions between sounds. And singing can
communicate words as well as melody, which means you have a double layer of meaning,
unlike other instruments. The human ear is so used to hearing the voice that even the
finest tonal shifts or anomalies are immediately noticed. However, Yamaha's Vocaloid is in
fact a totally new vocal-synthesis technology, achieving a much higher level of
sophistication in this exciting area! The team at the Yamaha Advanced System Development
Center in Japan has created software that emulates the singing voice with incredible
accuracy.
Zero-G's development team have been working closely with
Yamaha to create many 'vocal fonts' (virtual vocalists) for the Vocaloid system. The team
starts each project by recording a professional vocalist singing literally all possible
phonemes and transitions between syllables. Each transition is slightly different
depending on the particular combination of phonemes, and these differences play a big part
in how we understand words and whether a vocal track sounds natural or artificial. For
example, the phoneme "p" sounds slightly different at the beginning of a word
than it does at the end, and it affects the vowels next to it differently than, say, the
phoneme "t".
The recordings of the professional singers are converted
to the frequency domain using Fast Fourier Transform and divided into thousands of
separate phonetic transitions which are processed in a unique way and then stored for use
with the Vocaloid synthesis engine. Expressive tools such as vibrato, pitch bend, and
attack are also derived from the real singing and stored separately.
To create a vocal track, you enter music and lyrics into
the Vocaloid Editor. The melody can be entered by hand in the piano-roll style Editor or
imported from a Standard MIDI File; the words are entered manually (either as words or as
phonemes). Expressive elements can be imported from a MIDI File previously saved by the
Vocaloid Editor, or entered via a graphic palette using drag-and-drop. Further detailed
programming of expression parameters can be done graphically, for finely detailed results.
The data that you have entered in the Editor is sent to
the synthesis engine, which fetches what it needs from the phonetic and expression
databases to synthesize the track. To sing the word "part", for example, the
software combines four elements from the phonetic database: "p" (as it sounds at
the beginning of a word), "p-ar" (the transition from "p" to
"ar"), "ar-t" (the transition from "ar" to "t"),
and "t" (as it sounds at the end of a word). The two "ar" elements are
blended together, and the resulting vowel "a" is lengthened as necessary to
accommodate your chosen melody and rhythm.
Different pitches are derived by shifting the fundamental
and overtones while leaving the vowel formants relatively untouched. The database elements
were derived from phrases originally sung at different pitches, limiting the amount of
shifting the engine needs to do (and therefore improving ultimate realism). A Pentium 4/
2GHz computer takes less than one-third real time to render the track in the frequency
domain and convert it into the time domain for use. For example, a 1-minute track can be
rendered in less than 20 seconds.
Unlimited Horizons
The potential for Yamaha's Singing Synthesis Technology is virtually unlimited. MIRIAM
(together with LEON and LOLA)
represent the genesis of the new era of virtual singing Pretty soon you are going to hear
synthesized vocals in a lot of music. Don't get left out of the picture. Experience the
difference MIRIAM can make for yourself...
VOCALOID MIRIAM. Vocals without frontiers. The holy
grail of synthesis. Enough to make your heart SING.
PRODUCT SPECIFICATIONS:
Package Includes:
* VOCALOID Editor
* VOCALOID VST Instrument
* VOCALOID MIRIAM Female Vocal Font
VOCALOID Editor Features:
* Vocal Edit & Synthesis environment.
* Piano-roll note editor.
* Easy-to use lyric editing.
* Drag & Drop musical expression assigning.
* Reads VOCALOID vocal libraries.
* Synthesizing vocal tracks.
* Saving vocal data as wave files.
* Up to 16 vocal tracks.
* Standard MIDI File Input/Output
VOCALOID VST/ReWire Instrument:
* Reads VOCALOID vocal libraries.
* Plays vocal MIDI tracks generated by VOCALOID Editor via VST- or ReWire-compatible host
sequencer.
* Easy to manipulate voice characteristics.
VOCALOID MIRIAM Vocal Library (virtual female
vocalist):
* Virtual vocalist modelled on the voice of MIRIAM STOCKLEY, the voice of the
multi-million-selling ADIEMUS albums
* Complete female voice in English, in professional quality.
* Suits all pop and dance music styles, but also Celtic and many other styles.
* Full coverage of phonemes. You can use any English lyrics you want.
* Vibrato templates and expression templates as typically used in natural singing.
Minimum System Requirements:
* Windows XP or Windows 2000.
* Pentium III, 1 GHz or faster.
* 512MB of RAM or more.
* Approx 500 Mb Hard disk space or more (actual amount to be advised nearer release)
* CD-ROM or DVD-ROM Drive
* SVGA Display (1024x768)
* Sound Card with Microsoft DirectSound Compatible driver.
Recommended System:
* Windows XP.
* Pentium 4, 1.7 GHz or faster.
* I GB of RAM or more
Supported Interfaces & Standards:
VST 2.0, ReWire, Windows MME.
All product specifications (including pricing) are subject to change without notice. The
names MIRIAM, LEON and LOLA
are trademarks of Zero-G Limited. ZERO-G is a registered trademark of Zero-G Limited.
VOCALOID is a registered trademark of Yamaha Corporation, Japan.
Availability:
THIS PRODUCT IS NOT AVAILABLE YET. It is scheduled for release in late March 2004, and
will be officially launched at the FRANKFURT MUSIC SHOW (March 31 to April 3, 2004). |