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The Vienna Concert Guitar is the only one of its kind. This hand-made instrument
was specially constructed with an arched back put together from several pieces of wood.
Its balanced, homogeneous sound allows it to stand its ground as a solo instrument as well
as in accompaniment.
Due to its polyphonic nature, the concert guitar presented a special challenge.
Specifically, chords only sounded authentic when the chords themselves were sampled! After
a three year production cycle for the orchestral sample libraries, the Vienna Symphonic
Library team felt ready to take up this challenge, capturing all of the concert
guitars versatility and its many playing techniques. The samples were
"tamed" and made reproducible with the help of the Vienna Symphonic
Librarys unique Performance Tool.
The Vienna Concert Guitar became a reality through a combination of individual
prerequisites: The projects godfather, Thomas Meitz, in the framework of his concert
guitar diploma, spent 1 1/2 years on developing the Librarys structure. Due to his
practical background as a recording engineer and chief editing engineer of the Vienna
Symphonic Library, he was able to realize his concept optimally and without compromise.
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Articulations
Staccato notes
Sustained notes with and without vibrato
Étouffé
Sul ponticello, flautando
Bartók
Natural and artificial harmonics
Hammer-ons, pull-offs for creating embellishments
Tremolos
Bends (half tone up and down)
Half and whole tone trills
Slides (glissandos) up to an octave (up and down)
Repetitions (8 notes) in various tempos
Chords (4, 5, 6 voices): minor, major, dominant seventh, major seventh; diminished, half
diminished; sus 4, 7 sus 4
All chords open and muted, played as arpeggios, struck, pulled, rasgueado (flamenco style)
Chords played as continuous rasgueado
Effects like golpe, scratches and others
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